The poetry I wrote in Barney's classes wasn't much better than what I wrote outside of class, but I did pay more attention to forms like the sestina and sonnet because of his assignments, and perhaps I did take on a sense of standards, of the need for work to be good enough to "stand" on its own. I remember that Barney was an admirer of the poet Paul Blackburn, the purity of his practice and the combination of openness and formalism evidenced in his work.
I've been writing irregularly about my two years at Johnston, under the heading "Garden of Earthly Delights," on my main blog. More may be found there about those rarefied environs and times long gone...
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